论《韵语阳秋》文艺美学“意”本体论

‘Yi’ in Yun Yu Yang Qiu

《韵语阳秋》文艺美学“意”本体定位有两个立足点:一,文艺作品内蕴之“意”相对于诸形式因素的本体性;二,审美主体(“意”)相对于审美客体(“境”)的本体性。它重视“意”之“情”层面并进而认为,“意”之终极指向是超越“情”而达于“道”。它关于“意”与“境”及两者关系的论述,在我国“意境”理论史上具有重要意义。

From the point of view of literature aesthetics, the ontology is ‘Yi’ in Yun Yu Yang Qiu. The motivation is that the literature work embraces ‘ Yi’ different from certain formal factors, and the aesthetic subject as ‘Y’ is different from the object as ‘Jin’. The The focus of ‘Meaning’ is feelings, and the end is Tao. The statement of ‘Yi’ and ‘Jin’ was significant in Chinese theories of literature and arts.