从革命的“尤物”到革命的女神——以茅盾小说中时代女性形象塑造为例

From a revolutionary stunner to a revolutionary goddess——The feminine images in the novels of Mao Dun

茅盾小说中的时代女性形象是一群“时代”与“女身”的合体。它体现了新的身体观感和身体的认知模式,并被结合进关于现代性和时代精神的宏大叙述,从而初步实现了对于新女性“历史意义”的想象和对于历史进程和时代精神的参与。

The feminine images in the novels by Mao Dun symbolize the syncretism of fashion and female figures, which provides with a cognitive mode to physical visualization, modernity, and a revolutionary imaginative description. Likewise the females evolve from the revolutionary sensual subjects to the revolutionary objects,and from the revolutionary mortals to the objects of the revolutionary restraint and control.