民族传统与现代设计的同构

Isomorphism of National Tradition and Modern Design

从民族传统文化整体性的精神特质和中国传统美学,论述了如何在现代设计中体现民族化特征。从外在风格以及内在风格这二方面的设计语言阐述了中国民族传统艺术不重“写实”重“传神”,不重“再现”重“表现”,提升为“物我同一”的审美观念,是中国人文化意识和形态哲学观念的体现。民族传统是设计文化内涵的渊源。任何一种物体不可孤立地去看它,含混多样的东西需要多角度的审视,即使在现代设计这一学科领域。

The way to represent national characteristics in modem design was discussed from Chinese traditional culture and aesthetics. It was put forward that Chinese traditional art regards sprit highly, not practicality from extrinsic and immanent design language. National tradition is the origin of cultural connota- tion in design. Anything cannot be isolated, which comprises diverse viewpoints, especially in modem de- sign.