摘要
古代文学家、史学家、经学家从不同层面颂扬《凯风》之子,而针对其中的母亲形象却态度复杂:经学家多贬抑之,文学家和史学家多颂扬之;同一解释主体在身为经学家时贬抑之,身为文学家时却颂扬之。《凯风》的形象解读成为了极具内涵的文化文本。论题以《凯风》的形象解读为研究文本,文化性地探讨形象解读中蕴涵的性别前理解。
In ancient China, the sons of Kaifeng in the Book of Songs were praised unanimously while the mother was denounced by the Confucian exegetists and respected by the historians and literatis. Such a divarication is interesting, especially when the exegetist is simultaneously a historian or a literati, which involves a pre-understanding of gender.
出处
《海南大学学报(人文社会科学版)》
CSSCI
2007年第2期212-215,共4页
Journal of Hainan University (Humanities & Social Sciences)
关键词
诗经
凯风
性别
the Book of Songs
Kaifeng
gender