婺剧乱弹声腔主干唱调——“二凡”析

Analysis of Erfan the Main Tune of Luantan Tones in Wuju Opera

本文运用音乐形态学的研究方法,对浙江婺剧乱弹声腔主干唱调——“二凡”的多种音乐形态进行了对比、分析与论述,发觉“二凡”唱段的上下句结构归根结底是由一单乐句(上句)结构发展、变化而来的。

With the research means of music morphology, the paper makes comparison, analysis and expounding of various music forms of erfan, the main tune of luantan tones in Wuju opera. It concludes that the two-phrase structure of erfan vocal pieces is fundamentally developed from single phrase （upper phrase） structure.