摘要
唐太宗的音乐思想打破了儒家传统的“声音之道,与政通矣”的观念,将政治与音乐疏离,认为政治高于音乐。独特的人生经历和特定的政治历史使命是他的音乐思想得以产生的根本原因。唐代雅乐简陋和俗乐繁荣与他的音乐思想密切相关。
Li Shi-min, the second emperor of the Tang dynasty（618-907）, disagreed with the traditional Confucian musical viewpoint of that music was united with politics. Instead, it should be separated from and subordinate to the latter. His such belief, largely owed to his specific experience and the historic task at that time, well explained the phenomenon of simple-oriented gagaku and prosperous pop music.
出处
《盐城师范学院学报（人文社会科学版）》
2007年第2期38-42,共5页
Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)
基金
江苏省教育厅高校哲学社会科学基金项目(05SJD750016)
关键词
唐太宗
乐政一体
雅乐
俗乐
Emperor Li Shi-min
music was united with politics
gagaku
pop music
