摘要
有必要对中国画史上几个重要的画学论点提出新的解释,因为长期以来对它们所形成的共识,或者是错误的,或者是偏颇的——总之,都不合它们的本意。
It is necessary to set right several important viewpoints in the history of the Chinese painting, which, for a long period of time, are either mistaken or prejudiced. In a word, they are not original meanings.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2007年第3期24-28,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
画论
山水方滋
书画同源
画以形似
画以人传
hoary of painting
thriving of landscape painting
same source of calligraphy and painting
alikeness in appearance
alikeness in spirits of persons
