摘要
石窟随佛教传入中国后走向了与中国本土文化结合的道路,石窟艺术在中国的演变记录了这一过程,石窟研究对于研究历史上的东西方文化交流、中国和印度的文化交流和中国古代建筑具有重要的价值。
With the spreading of Buddhism in China, Grotto comes into China and was gradually combined with the Chinese indigenous culture, the process of which has been recorded in the evolution of Groffo Art in China, The research on Grotto has been of great value to the research on historical culture exchange between Western and eastern, China and India, and that on the Ancient Architecture in China.
出处
《华中建筑》
2007年第4期130-133,共4页
Huazhong Architecture
关键词
石窟艺术
佛教
本土化
Grotto Art, Buddhism,Indigenization