摘要
消费社会的到来,改变了文化生产的逻辑,这在我国第五代导演身上得到了鲜明的体现。第五代导演在20世纪八九十年代创造了有中国风格的浪漫审美主义的“文化电影”,在新世纪初,他们的国产大片迅速地转向审美消费主义,成为消费社会消费审美主义的典型代表。
With the arrival of consumptive society, the modern cultural production is changed, which can be obviously detected from China' s 5th generation directors. The 5th generation directors created China-style "cultural films" with romantic aestheticism in 1980' s and 1990' s. In the new century, their films tend to take on aesthetically consumptive trend, and have been a typical representative of consumptive aestheticism in a consumptive society.
出处
《渤海大学学报(哲学社会科学版)》
2007年第3期61-67,共7页
Journal of Bohai University:Philosophy & Social Science Edition
基金
国家社会科学基金项目"历史唯物主义史观与当代文艺思潮"(04&ZD026)部分研究成果之一
关键词
第五代导演
消费社会
浪漫审美主义
消费审美主义
审美消费主义
5th generation directors
consumptive society
romantic aestheticism
consumptive aestheticism
aesthetically consumptive trend