期刊文献+

外师造化 中得心源——莫迪里阿尼油画作品浅析

From Nature to Mind——A Brief Analysis of the Oil Paintings by Amedeo Modiglian
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摘要 本文就意大利画家莫迪里阿尼的绘画艺术,从独具特色夸张变形的手法,富有节奏韵律的线条,高度概括的色彩形式,浓厚的图案装饰风格,进行简要的条理分析,概括其艺术成就与重要影响,体现其“外师造化,中得心源”的艺术思想,以及所达到“不似之似”的艺术境界;认识其随着时间的流逝,他的名字不但没有被世人遗忘,反而更加光彩夺目的原因。 The text,on the basis of Amedeo Modiglian,an Italian artist and his great achievement and influence on the world history of art,gives a brief systematic analysis of his unique techniques in artistic exaggeration and deformation and chitinguished style of decorative patterns by means of fasteful lines in lively rhythm and well-purified colour formations. Thus we are further led into his artistic world far out of life but exactly close to life by his lifelong pursue of freedom between the external world and the internal world. It is his artistic technology and his ideology that has helped him step up to a historic summit with a well-deserved reputation more and more brilliant all through the world as times goes on.
作者 车建修
出处 《兰州交通大学学报》 CAS 2007年第2期43-45,共3页 Journal of Lanzhou Jiaotong University
关键词 师造化 心源 线条 the external master (nature) the internal resource (mind) lines
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参考文献2

  • 1鲍诗度.西方现代美术[M].北京:中国青年出版社,1993.
  • 2俞剑华.中国古代画论类编[M].北京:人民美术出版社,1998:457.

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