神理范畴的审美现象学观照(创作论)——随物赋形、返朴归真与“回归事物本身”

A Probe into Shenli Theory from the Perspective of Aesthetic Phenomenology——An Endowment with Forms and "A Return to Nature and Things Themselves"

神理范畴在理论界目前尚未系统论及,本文在前此本体论基础上,引古今中外文学艺术作品进行对应研究,探讨其创作论的内蕴及其呈现的品格,同时在传统美学的基础上与西方现象学美学对神理范畴统筹观照,揭示出随物赋形、返朴归真与回到事物本身具有同构对应关系,确立了神理范畴的当下美学价值。

Shenli theory has not been systematically discussed in the field of theory. On the basis of its ontology, this paper studies the ancient and modem, domestic and foreign literature, discusses their creative connotation and characteristics from the perspective of aesthetic phenomenology, discovers that Shenli theory is endowed with forms and it calls for a return to the nature and the things themselves, and finally establishes the modem aesthetic value of Shenli category.