摘要
《民族电影理论体系导论》是一部具有探索性创新型的电影理论专著,指出民族性是中国电影艺术赖以发展的精神内核,从中国和西方传统文学艺术的辨证分析之上建立其影像“本质直观”理论,揭示出变数在场是导演的神奇妙用,突出了神理神韵范畴在电影艺术创造中的重要地位。
"An Introduction to National Film Theoretical System" is a exploring and original book on film theory. In this book, the author points out that nationality is the spiritual core of Chinese movies, establishes the essential and direct theory on the basis of dialectical analysis of Chinese and foreign traditional literary arts, discovers the directors' magic use of variables on the spot and finally highlights the importance of Shenli and spirit theory in the artistic creation of films.
出处
《湖北民族学院学报(哲学社会科学版)》
2007年第1期158-160,共3页
Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词
民族
中国电影
变数在场
神理神韵
Nationality
Chinese movies
variables on the spot
Shenli category