长安画派的艺术道路

Artistic Approach of Chang'an Painting School

认为长安画派所代表的艺术实践是平民化的,是以时代的新气象与鲜活感作为底蕴的,是以生活为核心的,是发扬民族传统的具有时代气派的文人画,是质朴的田园情结、凝重的时代课题和文人画传统相结合的新时代的中国画。长安画派以赵望云定居西安为发端,以石鲁带着延安文艺思想来西安为发展,以1961年北京的展览和随后展开的传统与时代新貌大讨论为形成。长安画派形成了解放笔墨、解放题材、走向生活、走向时代、回归质朴、回归自我的艺术道路,成功地实现了20世纪中国画从古典形态向现代形态的转化。

The artistic practice represented by the Chang＇an painting school is for the common people, taking the new atmosphere and fresh and vivid feeling of the times as the foundation, and the life as the core. The painting is the scholar painting with time style to bring into play the national tradition. The painting is Chinese painting of the new times to combine the simple and unadorned pastoral plot and imposing time topic with the tradition of the scholar painting. The Chang＇an painting school began with the settling-down of Zhao Wanyun in Xi＇an, developed with the arrival of Shi Lu in Xi＇an with the literary and artistic thinking of Yan＇an, and formed with the painting exhibition in Beijing in 1961 and the discussion about the tradition and new appearance of the times unfolded later. The Chang＇an painting school has formed the artistic road to emancipate the pen and ink, emancipate subject matter, move to life, move to times, return to simplicity and return to oneself, thus successfully realizing the transition from the classic form to the modern form of Chinese painting in the 20th century.