明清厅堂的悬壁书法装饰

Wall Calligraphy Used for Decorating the Hall in Ming and Qing Dynasties

通过对文献资料和传世实物的考察,考证了悬壁书法的滥殇及其在明清建筑中的装饰作用和方式,指出悬壁书法是在明代永乐迁都之后,随着建筑风格的改变产生的一种新的书法式样,突出了书法的装饰功能,要求书法作品与环境融为一体,达到装饰环境的目的。

Wall Calligraphy is a kind of new calligraphy style produced with the change of the architectural style to hang the wall calligraphy after the capital moved to another place during the Yongle period in the Ming Dynasty. It stresses the ornamental function of the calligraphy, requires for the calligraphy works to integrate itself with the environment as a whole to achieve the purpose of ornamenting the environment. By investigating documental materials and real antique objects handed down, the article has made a textual research on the cause for the emergence of the wall calligraphy, and its decoration function and style in the building of the Ming and Qing Dynasties.