摘要
《文心雕龙》与《文选》在汉大赋的选择上体现出了高度的一致性,在“情”赋的选择上也显现了文学观念的共同性。二者取材的差异主要体现在有关“哀伤”一类的赋及有关“志”类的赋。总的说来,刘勰选取的抒情性作品在数量上远远少于萧统,在质(情感取向)上也迥然有异。在文学的边界有些模糊的今天,更多包容地看待他们彼此的差异也许会有益于我们对文学的思考与定位。
The Literary Mind And the Carving of The Dragon and Athology manifest their striking uniformity in the selection offu poetic prose of the Hart Dynasty, and they also show their commonality of literary conceptions in selecting "love" fu. The difference in material-drawing between the two appears in the kind offu concerning "grief" and that concerning "ambition". On the whole, the lyric works Liu Xie first selected is far fewer than that selected by Xiao Tong, moreover, there exists entire difference in essence( emotional orientation). Nowadays when the boundary of literature is vague to some degree, it will likely be helpful to our literary deliberation and location to look upon their difference tolerantly.
出处
《江汉大学学报(人文科学版)》
2007年第3期74-78,共5页
Journal of Wuhan Institute of Education
关键词
赋
刘勰
萧统
哀伤
志
fu(poetic prose)
Liu Xie
Xiao Tong
grief
ambition