论“阴阳两仪”思想范式的美学意涵

On the Aesthetic Meaning of the Thinking Form of "Two Modes of Yin and Yang"

在东方文化和美学观念中,“阴阳两仪”是一个极其重要的理论范畴和文化命题。它所反映的不仅仅是一种东方式、中国式的宇宙观念和人生哲学,而且也反映了一种东方式、中国式的美学思想范式。其美学意涵主要有四:一是“耦两”美观念,即强调在相反相对的两种矛盾因素之间思考美、创造美;二是“中和”美意识,即讲究在两两相对的矛盾因素之间实现均衡持中、不偏不倚的和谐之美。其核心范畴是“中”。三是“刚柔”美理想,既讲究阳刚与阴柔这两种审美理想之间的相成相济,又有偏重阴柔之美的趋向。四是“虚实”美境界,在阴与虚、阳与实的对应中,既强调虚与实之间的互用相生,又讲究以虚为体、以实为用,从而推动“意境”美学理论走向成熟。

This paper mainly explained the ideological model of ＂Two opposing principles named Yin and Yang＂ from the point of aesthetics. Its ideas mainly included four aspects as follows, the first is the concept of ＂symmetry beauty＂, which emphasizes on the beauty between the two contradictory elements. The second is ＂the two modes＂ beauty, which is to carry out balance between them. The third is ＂firm or mild＂ beauty, which is mingled with hardness and softness, but the emphasis is on softness. The forth is ＂fictitiousness or existence＂, which emphasize either mutual dependence between form and substance, so as to promote ＂artistic conception＂ aesthetic theory to the mature.