中国古代水墨画“墨色”审美及其文化意蕴

The Aesthetic Ink Color and Culture Implication of Chinese Ancient Ink and Wash Painting

中国水墨画的墨色审美起源,根植于原始农耕采集文化和阴阳五行思想,老庄和禅宗则为其奠定了主要基调。中国水墨画对墨的艺术运用,完成了原始黑色向纯粹的审美境界升华的过程,最终形成了中国水墨画独特的墨色语言系统。在万千变幻的“墨色”中,构成了一个个别具一格的“心象”和“墨象”同构的“墨境”世界,别有一番“墨韵”,具有高度的艺术审美意义和深厚的中国传统文化意蕴。

The origin of the aesthetic ink color of Chinese ink and wash painting is rooted in the primitive farming of collecting culture, Lao Zi, Zhuang Zi and Chart has established main keynote on it. Chinese ink and wash painting has developed ilk art, having accomplished the primitive black process to pure appreciation of the beauty realm, and also having formed unique color language system. In the great changes of the ＂ink color＂, they constituted many worlds of a series of unique ＂imagery＂, ＂heart imagery＂ and the same structure as ＂ink imagery＂, with high aesthetic significance and Chinese tradition Culture Implication.