摘要
《艳阳天》是文革中"八个样板戏一个作家"中的唯一的一个作为"这一个"的作家浩然的代表作,以往的文章对其解读多是以"以左反左"的惯性化价值判断,认为它是图解政策、歪曲现实的应景之作,本文试图在文本细读的基础上,以传统知人论世的方式,分析作为"这一个"的个体浩然在其所处时代的现代性追求的当下性中,如何以自己执著的文学想象,构筑饱含个人独特体验、时代激情的意蕴化文学审美空间。
Bright Spring Day is the representative work of Hao Ran during previous articles mainly unscramble the book from the perspective inertial value, illustrating policy and distorting reality. The writer of this paper, based on the careful the Great Revolution. The regarding it as a work of reading of the text, attempts to display how Hao Ran constructed his aesthetical literary space with his unique personal experience and passion to the times.
出处
《涪陵师范学院学报》
2007年第3期22-24,51,共4页
JOurnal of Fuling Teachers College
