从“本色”到“艺术化”——萧红小说的语言探索

From "Instinctive" to "Artistic"——A Tentative Approach to the Language Used in Xiao hong's Novel

从《生死场》到《呼兰河传》,萧红的小说语言经历了从“本色”到以多种技巧强化艺术表现力的转变。其中,与简洁“背道而驰”的繁复叙述,以内在含义扭转表层语义的“悖反叙述”,有意“越轨”的句子组合方式,以及巧借声韵的婉约传达意味与情趣等特点,构成了萧红后期小说文体的独特魅力,也显示了萧红在小说语言艺术上的探索与变化。

There is a transformation from ＂instinctive＂ to a strengthened expression with diversified artistic skills in the language of Xiao hong＇ s novel, especially from the novel of Fair of Life and Death to Biography of Hulanhe. Among all the skills, the followings constitute a special attractive style in Xiao hong＇ s novel, which are a demonstration of Xiao hong＇ s discovery and development in her novel language as well, such as, complicated narration ＂against with concision＂, ＂contrary narration＂ of implication instead of superficial semantics, intended ＂Aberrational＂ organization of sentences, Circumbendibus of meanings and flavors with artful organization of sounds and rhythms, and etc.