从田间乡野到国家舞台——民族国家视野中的原生态唱法

From the Farm Field to National Stage——The Chinese Proto Folk Songs from Multi-Ethnic Country Perspective

2006年中央电视台第十二届青年歌手大奖赛首次新增了原生态唱法,很多少数民族选手在比赛中大放异彩,这引起了广泛关注。本文透过青年歌手大赛,通过追溯上世纪50年代初我国的民族识别工作,从民族国家的视角分析了国家如何通过主流媒体以宣传民族文化来强化民族认同,同时又以主流文化对他们进行规训以培育他们对于国家的认同,这与几十年前吴文藻先生民族与国家两分但多民族共同整合于一个国家体系的提法可谓不谋而合。

At the 12th CCTV National Youth Singing Contest, the Chinese proto folk songs were first introduced and many singers of ethnic groups achieved great success, which aroused much attention. Based on review of this singing contest and identification of ethnic groups in early 1950s, the author explored how to enhance commonness among ethnic groups by major media in fulfilling its function of culture progress. Meanwhile, the author argued that the commonness of the same country can be strengthened by major media from mainstream culture＇s regulation and cultivation. This happened to coincided with views held by Mr. WU Wen - zao several decades ago, that is, nationality and state are of different sense but Multi -ethnic groups can live harmoniously in the same country.