“兴会”的多维阐释

Multi-dimensional Explanation to “Xinghui”

“兴会”是中国古代诗学中内涵最丰富、歧义最纷纭的诗学范畴之一。本文从创作心理角度,阐释由“兴会”引起的审美主客体的互动;从文本构成维面,审视“兴会”多向度运动与文本形态的关系;从阅读鉴赏角度,兼及接受主客体及接受主体之间的心理互动;从中西诗学比较视阈,展示灵感与“兴会”相生共融的关系。旨在彰显中国古代诗学精神,强调当代语境下古代文论的现代转换意义。

As one of the poetic categories, ＂Xinghui＂ is rich in meaning but controversial. Starting from writing psychology, this paper tried to interpret the interaction between aesthetical subject and object by ＂Xinghui＂. From the aspect of text structure, the relationship between multi -dimensional work of ＂Xinghui＂ and text form is discussed. From the aspect of reading and appreciation, the psychological interaction between the subject and object is explored. From the perspective of comparison between Chinese and western poetics, the relationship of ＂co - existing and development＂ between the inspiration and ＂Xinghui＂ is elaborated. This paper aimed at showing the spirit of Chinese old poetics and emphasizing the importance of modern transformation of the old poetics in contemporary linguistic context.