摘要
与以刚健雄浑的男性化审美风格为最高理想的古典诗歌不同,唐宋词在整体上具有女性化的审美特征。从发生学的角度,这一特征的形成与三大因素有关:第一,传统文化本身具有的女性化或者说双性化因子是其前提条件;第二,中唐以后“不在马上,而在闺房”的时代精神提供了现实土壤;第三,词体作为一种音乐文学本身所具有的“要眇宜修”的文体特征是其内在因素。
Different from the classic poetry marked by striking virile aesthetic characteristics,Ci-poems of theTang and Song Dynasties on the whole bear some features of feminine aesthetic characteristic.Observed from the perspective of genetics,the appearance of this characteristic can be attributed to the following three factors: first,a touch of femininity inherent in the traditional culture;second,the historical background after mid-Tang Dynasty marked with populous indulgence in life;finally,the subtle and sentimental nature and the intrinsic musical character of Ci-poems.
出处
《福州大学学报(哲学社会科学版)》
CSSCI
2007年第3期63-67,共5页
Journal of Fuzhou University(Philosophy and Social Sciences)
基金
江苏省教育厅高校哲学社会科学基金资助项目(06SJB750001)
关键词
唐宋词
女性化
发生学
Ci-poems in Tang and Song Dynasties
feminine aesthetic characteristic
genetics