道是无情却有情——论曾树生的“逃离”与“回来”

Seemingly Inexorable but True Affection

《寒夜》塑造了一个丰满复杂的女性曾树生形象,真切细腻地表现了她与家及家人的复杂情感。对她的先逃离家庭最后又回来,批评界多作道德、文化层面的解读,结论显然是偏颇的,应该看到这里其实隐含着更多的情感心理内容:无奈的“逃离”中蕴含着“回来”的因子,看似无情却有情;急切的回来更彰显其对亲情和真情的依恋和向往。

Cold Night creates a vivid and complex female character of ZENG Shu-sheng, and describes exquisitely the complex feeling relationship between her and her family. The critical circle tends to interpret her choice of fleeing from and returning home from the perspective of morality and culture, to some extent, which is wrong. On the contrary, we should realize that it actually implies much mere psychological feeling, that is, the helpless fleeing includes the returning factor. So it reveals inexorable but true affection in fact and the earnest returning displays her devotion to and longing for the family affection and true love very much.