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从《伪君子》解读莫里哀的写作立场 被引量:1

The Author's Writing Stand of Moliere's Comedies Discovered from Le Tartuffe
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摘要 莫里哀是17世纪法国古典主义文学流派中具有较多民主思想的喜剧作家,他继承了文艺复兴时期人文主义者反封建反教会的战斗传统。站在民主主义写作立场上,对贵族的腐朽,僧侣的伪善,做了毫不留情的揭露;对资产阶级的贪婪、愚昧、虚荣等做了开导式的嘲讽;对下层劳动人民则给予了深深的赞美与肯定。这种民主倾向的写作立场,不仅得力于他对传统的继承,而且也是他长期深入民间了解人民的结果。 Moliere is a French 17th-century comeliest of classical school. He inherited the tradition of fighting against feudalism and church from humanists in renaissance, being more liberal. He stuck to his liberal stand, ruthlessly exploded aristocrats' decadency and monks' hypocrisy, and made enlightening mockeries of bourgeois' greed, blindness, and vanity, and offers sincere praise and affirmation to lower working class. This kind of liberal writing stand comes not only from his inheritance of traditions, but also from his understanding of people after long years' stay with the population.
作者 张炜 李晓卫
出处 《北京理工大学学报(社会科学版)》 2007年第3期60-63,共4页 Journal of Beijing Institute of Technology:Social Sciences Edition
关键词 莫里哀 写作立场 民主倾向 Moliere writing stand liberal orientation
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参考文献5

  • 1陈悖.莫里哀和他的喜剧[M].北京出版社,1981.
  • 2莫里哀.喜剧六种[M].李键吴,译.上海译文出版社,1978.
  • 3莫里哀.太太学堂的批评[M].李健吾,译.北京:人民文学出版社,1959.
  • 4皮埃尔·加克索特.莫里哀传[M].朱延生,译.北京:中国戏剧出版社,1986.
  • 5莫里哀.喜剧六种(译本序)[M].李键吴,译.上海译文出版社,1978.

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