“中心”的心理暗示——视觉审美研究

Mental Hint to the "Center"——A Research on Visual Aesthetics

具有中心感的视觉形象能给人以强大的心理统摄力,并对审美产物的最终形成产生决定性影响。将这种中心感定义为一种能明确感知的、直观的整体视觉特征,并将其丰富的心理暗示划分为三个方面,即归属感、等级感和稳定感。归属感代表着人们对母体、源头等身心归宿的强烈回归愿望,等级感则与归属感一脉相承,其在人们心中高于它物的崇高地位使之成为权利象征,一些皇权建筑形象的选择就源于此。而稳定感则顺利完成了从空间概念到时间概念的转换,在审美过程中常作为永恒的象征出现。通过这三方面对"中心"的详尽分析,揭示出视觉审美研究的核心问题应该是欣赏者的心理分析,并期望以此研究方式对其作出一些有益探索。

Visualization giving you central feeling can bring a visitor might, and produce an essential effect on the final aesthetic production. This paper defines this kind of central feeling as a sort of intuitive vision character that can be clearly apperceived, which divides the mental hints into three aspects ： the feeling of ascription, the feeling of grade and the feeling of stability. The feeling of ascription stands for the intense regressive desire that people expect to come back to this kinds of end - result of body and mind, such as matrix or the root, etc. The feeling of grade and the feeling of ascription come down in one continuous line. The sublime status of grade feeling which is beyond other feelings makes it become the symbol of power. And it also becomes the springhead of some imagine of royal power building. The feeling of stability successfully finished the conversion between spatial conception to temporal conception. And it always appears as the eternal symbol in the aesthetic period. By analyzing the ＂center＂ in the three aspects, this paper reveals that the core problem of visual aesthetics should be the analysis of the mentality of visitors, and expects that this research approach can be beneficial.