摘要
“画赞”,又名“图赞”、“像赞”,是伴随着以画为赞的绘画观念,在东汉至魏晋南北朝时期逐步发展起来的一种以图画内容为题材,以赞美为主的诗歌形式。其特点是:以四言为主,言辞简洁,以陈述、说明、议论和生动形象的描绘为主而兼有抒情。画赞的出现,是文学与绘画融通的产物,是中国绘画融诗、书、画为一体之特点的肇端,对唐以后的咏画诗、论画诗及画赞创作有积极的影响。从画赞可以看出绘画题材的转变及其时代特点,因而画赞具有重要的绘画史料价值。另外,画赞序还有一定的绘画理论价值。
＂Huazan＂, the appreciation of painting , is also called ＂Tuzan＂ , ＂Xiangzan＂. It is a kind of poetry focused on the praise of painting. Its main characteristics axe： mainly four characters, vivid painting, concise , expressive. The appearance of Huazan is the blend product of literature and painting , the onset of Chinese painting trying to combine poetry, literature. Huazan has profound influence to the chanting poem after Tang period. From Huazan, we can see the changing contents and epoch characteristics.
出处
《东南文化》
北大核心
2007年第3期83-87,共5页
Southeast Culture
