摘要
中国古典悲剧从诞生到发展,从结局上来说,一直延续了“大团圆”的结局模式。造成这种“大团圆”结局的最终原因就在于儒家学说所倡导的“中和”之美和道家美学所提倡的“无事”之义,以及庸俗市民意识对戏剧的重大影响。
Since the born of Chinese classic tradegy ,in consequnce,the happy family reunion stereotype has always been persisted.In my opion,the final reason for this lies in the enormons influnce to opera which comes from here.The "Central Harmony"beauty which Confucianist advocated,the "none of hnsiness" meaning which the Taoist advocated and vulgar citizen ideology.
出处
《商丘职业技术学院学报》
2007年第3期65-66,共2页
JOURNAL OF SHANGQIU POLYTECHNIC
关键词
古典悲剧
大团圆
儒家
中和
道家
无事
市民意识
classic tradegy
the happy family reunion
confucianist
central Harmony
taoist
none of business
citizen ideology