《文心雕龙》审美感觉思想的儒家内质

Confucian Endosarc of Esthetic Sensualism in Wen-Hsin Diao-Lung

对《文心雕龙》中审美感觉思想的认识还几乎处于模糊不清的状态。《文心雕龙》继承并总结了先秦以来的审美感觉思想,以儒家思想为主导和内质,同时兼取了各家思想资源,并站在一个新的高度进行了一次理论上的综合和提升,试图把儒家思想的合理性与当时审美“新变”要求统一起来,以“唯务折中”的态度来调和“复古派”与“新变派”之间的矛盾冲突。

The understanding of the esthetic feeling thought in Wen-Hsin Diao-Lung seems nearly confusing. In Wen-Hsin Diao-Lung, Liu Hsieh inherited and summarized the esthetic feeling thought since the Pre-Qin, taking the Confucian thought as the leadership and the endosarc, he also accepted the various thought resources and carried on a theoretic synthesis from a new point of view, attempting to combine the the rationality of the Confucian thought and the esthetic requirement the ＂new changes＂, and taking the ＂reconciling＂ attitude to compromise the conflicts between the ＂restoration school＂ and the ＂school of new change＂.