论“归来者”诗与“朦胧诗”抒情方式的差异

Contrast in the Manner of Monody between Poems of "Guilaizhe"and "Menglongshi"

劫后余生的“归来者”诗人和“朦胧诗”人在各自的创作中都把“文革”作为他们写作的文化资源;基于不同的诗学观念、相异的生命体验,他们在诗歌创作中采用了不同的抒情方式——直白抒情和意象抒情。不同的抒情方式源于二者对客观与主观的不同认知,而更深层次的原因则是二者思维方式的分歧。

The poets of ＂Guilaizhe＂ and ＂Menglongshi＂ both take＂the culture revolution＂ as the cultural resource of their writing. Because of their difference experiences, believes, they use different manners in monody： direct monody and image lyricism. Differnt manners originate from the different cognition of the subjective and objective, and the further reason is the difference between the manner of thinking.