摘要
在西方现代艺术史中,20世纪80年代被称为“绘画回归”的年代,绘画的回归本质上是从各种艺术实验回到架上绘画上来,也就是从美国式的前卫回归到欧洲的传统,从这个意义上说,绘画的回归就是欧洲传统的回归。在这样的思潮中,绘画由现代主义对于写实的排斥,转变为后现代主义对写实的搬用。写实主义(现实主义)一词也被广泛地运用在80年代以后的许多绘画流派当中,如超级写实主义、新现实主义等等。本文通过对80年代绘画回归的浪潮中不同国家写实画家的描述,分析20世纪80年代西方现代艺术史中现实主义绘画的面貌。
In the history of modern western art,the 1980s is the age of the Return of Paintings.Essentially this is the return from different experiments to the canvas,and therefore from the American avant-garde to the European tradition.That is why the return of paintings is the return of European tradition.Painting shifts from the modernists' repulsion of realism to the post-modernists' appropriation of it.The term “realism” has been widely used by such different schools as supra-realism and neo-realism after the 1980s.This paper tries to demonstrate what realist painting was like in the history of modern western art via descriptions of realist painters from different countries in the return trend of painting in the 1980s.
出处
《文艺研究》
CSSCI
北大核心
2007年第6期109-118,共10页
Literature & Art Studies