摘要
宋代河南地区文人诗词用韵中的上去通押韵段、阴入通押韵段是研究宋代通语声调的重要材料。宋代河南地区诗词用韵中入韵的全浊上声字有93个,只与去声字押韵的有26个,兼押上去声字的有60个;入声韵叶入阴声韵的有23个韵字。这些用韵材料能显示出宋代通语中浊上变去的进程以及入声韵尾发生的变化。
Some cross - rhyming of Shang(上) tone and Qu(去) tone sections and some crossing - rhyming of Yin - Sheng - yun ( 阴声韵 ) and Ru -Sheng -Yun (入声韵) reflected by the thyme of poems and Ci( 词 ) of Song Dynasty are very important ma- terials to study the tone of standard Chinese in Song Dynasty. There are 93 words of Shang(上) stressed consonant, rhyming with 26 words of Qu(去) tone and 60 words of none- viced Shang(上) tone and Qu(去) tone together. And Yin- Sheng- yun (阴声韵) rhymes with Ru - Sheng - Yun (入声韵) 22 times involving 23 rhyming characters. These rhyming materials can show that changes from Shang(上) tone of stressed consonant to Qu(去) tone and the development of Final Voiced Stop.
出处
《徐州师范大学学报(哲学社会科学版)》
2007年第3期76-79,共4页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词
宋代
河南
诗词用韵
浊上变去
阴入通叶
Song Dynasty
Henan
the rhyme of pomes and Ci ( 词) of Song Dynasty
Changes from Shang ( 上 ) tone of stressed consonant to Qu(去) tone
Yin- Sheng- yun (阴声韵) rhymes with Ru- Sheng- Yun (入声韵)