摘要
毛泽东主张诗歌要有民族风味。所谓“风味”,与中国古代文论中的“风骨”、“风力”、“风骨格力”等范畴的内涵有紧密的联系,是指诗人内在的情感意志通过语言体式、艺术表现手法等外在艺术形式所表现出来的具有审美感染力的艺术特色,即诗文的独特风格所带来的强烈的艺术感染力。毛泽东诗词富有民族风味,所以赢得了国内外广大读者的喜爱,具有永恒的艺术魅力。
Mao Zedong maintained that poems should have national flavor. The concept flavor is closely related to the implications of the categories of vigor of style in ancient papers on literature. It refers to the artistic characteristics with aesthetic appeal which are showed by using such external artistic forms as language forms and means of artistic expression to express the inner feelings of the poets, or rather, the strong artistic appeal brought about by the peculiar flavor of poetry. The poems of Mao Zedong are full of national flavor, so they are popular with readers both home and abroad. They have the everlasting artistic charm.
出处
《湖南第一师范学报》
2007年第2期6-8,共3页
Journal of First Teachers College of Hunan
基金
湖南省教育厅科研基金(06C228)
关键词
毛泽东
诗歌理论
民族风味
Mao Zedong
poetic theory
national flavor