摘要
泉镜花和川端康成的代表作《高野圣僧》与《雪国》都以“情趣与虚幻美”这种表现手法成功地展示了日本的传统之美。这是浓缩了近代表现形式和效果的“日本式”创作手法。泉镜花是这一艺术形式的开创者,而川端则赋予了其川端式的表现内涵。“典雅、悲凉和幽玄”是二者的表现共性。同时,与“神秘、怪诞”的“镜花式”的表现特性相比,川端的“梦幻天堂”中潜藏的则是“虚无”的基调。二者以此丰富并影响了日本文学。
After a comparative study between Saint of Mt. Koya and Snow Country, the masterpiece of Kyoka Izumi and Yasunari Kawabata respectively, we have found that both writers unfolded the beauty of Japanese tradition with a technique of "the beauty of sentiment and illusion". This is a "Japanese style" of writing technique which is abstracted from modem form and effects of writing. Kyoka Izumi is the pioneer of this artistic style; while Yasunari Kawabata endowed this style with his own and special connotation. With this writing technique, the two writers brought great enrichment and influence to Japanese literature.
出处
《沈阳师范大学学报(社会科学版)》
2007年第3期75-79,共5页
Journal of Shenyang Normal University(Social Science Edition)