浅析明末清初才子佳人小说中的婢女形象

Preliminary analysis of maidservant characters in talented scholars and lovely ladies romances in the late Ming Dynasty and the early Qing Dynasty

作为明末清初才子佳人小说中一个特殊且不可或缺的人物形象群——婢女,尽管她们不是主角,但小说的作者毕竟还是为她们留出了弥足珍贵的一席之地,使她们有了较为固定的表现空间,让她们不失时机地表现自己,展示自己独特的风采。明末清初才子佳人小说中的婢女形象是在传统文化的积淀中逐渐成熟,并在明末清初特定的社会、经济、政治、文化背景下形成自己独特的风格特征。

Maidservant characters, as a special group in talented scholars and lovely ladies romances in the late Ming Dynasty and the early Qing Dynasty, though not protagonists, the writers leave some place for them anyway. Thus, they can seize the chance to manifest their unique charm on their own stage. Maidservant characters in talented scholars and lovely ladies romances in the late Ming Dynasty and the early Qing Dynasty have become mature in the course of traditional culture accumulation and have had their own unique style and characteristics under the specific social, economic, political and cultural background of the late Ming Dynasty and the early Qing Dynasty.