纪念表现的主体关照

THE ATTENTION TO SUBJECT IN COMMEMORATIVE PERFORMANCE

当我们从主体视角审视一遍生活中诸多纪念表现后,就会发现其中大体存在两种倾向。一种是以直接再现主体感受为先导,即把纪念主体对纪念对象的审美感受——“伟大、憎恨、怜悯、恐惧”等情绪直接转化为形式语言表达出来,对审美感受的引导具有一定强制性。另一种则是以表现纪念对象内涵为主导,它更像是对一种存在现象的信息传递,尽量用比较“中性”的表现方式去“真实”演绎纪念对象,试图让人了解真相,而不把对主体情绪的预设当作表现重点。

When we observe the commemorative performance of our life from the subject＇s angle of view, we will discover two kinds of tendencies among them. One directly reappears the subject＇s feeling as its forerunner. It makes the aesthetic feeling that commemorative subject taste from the commemorative object -- ＂great, hate, mercy, fear, ＂etc., is converted into the formal language to express directly. Leading the aesthetic feeling is a certain compulsory thing. Another expresses the intension of commemorative object as its forerunner. It should be more like a kind of communication transfer of the human being phenomenon. It uses more ＂neuter＂ expression method to deduce the commemorative object as true as possible. It tries to make the person understand true facts, and not regard the hypothesis to the subject motion as the expressional key point.