摘要
青年尼采的文化观是生存论性质的。陷于“绝望的真理”中的生命需要辩护,需要文化给予它何以生存的正当理由。希腊日神文化和酒神文化分别赋予了个体生活和永恒生活以正当性,而悲剧文化则同时给予尘世生活和形而上生活双重的辩护。悲剧文化的现代意义在于,在“宗教退潮”之后,它担当了宗教的救世功能。
Youth Nietzsche's cultural view is of existentialism. The life that falls into "the truth of despair" needs defence and jnstification given by culture as to why it should exist. Greek Apollo culture and Dionysus culture has respectively endowed the individual life and the eternal life with justification, and tragedy culture simultaneously has given the worldly life and the metaphysical life the dual defence. The modern significance of tragedy culture lies in its taking on the religious salvation function after the "religion ebb tide".
出处
《中国矿业大学学报(社会科学版)》
2007年第2期14-18,共5页
Journal of China University of Mining & Technology(Social Sciences)
基金
江苏省高校人文社会科学研究项目(项目编号:05SJD720018)
关键词
生存论文化观
两种辩护
双重辩护
cultural view of existentialism
two kinds of defence
dual defence