意义世界的崩溃——对张大春三篇小说的叙事学分析

The deconstruction of significance

台湾作家张大春的《将军碑》等三篇小说,着重运用了后设小说的写作技巧,致力于对传统小说形式的解构,对作家们一再要表现的小说意义进行了狂轰滥炸式的破坏,达到了巴赫金所谓的语言狂欢化效果。

The novels of zhang-dachun ＂The General Tablet＂ and so on, devoted to the deconstruction of traditional novel form. And he adopted the technique of post-fiction, to destroy the siguificances in the novels which the writers wanted to display, He has achieved the effect of language carnivalization.