摘要
如果把动画片比作一栋建筑,那么它的蒙太奇手法就是这栋建筑的总体框架,而“转场”手法则是使框架更为牢固的连接点。在动画片剪辑的工作中,“转场”意味着空间的改变和时间的变化,这时影片逻辑和画面内容的跳跃比较明显,因此需要一定的转场技巧使之连贯自然。动画语言的独特性决定了动画电影转场的运用规律及特色。
If we assimilate the film to the building, the Montage in the film would be an integrated structure of the building; and the approach of "transfer" would be the connecting point making the structure much more stable. In the process of animation editing, "transfer" means the changes of the space and time, and the film logic and the tableau content will be more obvious, so it's necessary to use some transfer skills to make it smoother. The uniqueness of the animation language decides the regulation and the distinction of the animation's transfer.
出处
《北京印刷学院学报》
2007年第3期76-78,共3页
Journal of Beijing Institute of Graphic Communication
关键词
动画
转场
动画语言
animation
transfer
animation language