摘要
阿来的《尘埃落定》是一部具有浓郁寓言意味的小说,文本中作家着力塑造的主人公形象———傻子二少爷,以及围绕在他周围的各色人等都有着不同的文化内涵和象征意味。傻子二少爷是个文化亡灵,既是历史的参与者又是历史的旁观者,是一个双重意义的叙述者或艺术形象;翁波意西是傻子的另一半化身,他的存在和傻子构成了两极对照:智慧与痴傻的对比和转换。两个卓玛的映衬,象征了女性社会化的挣扎生存状态;两个塔娜象征了精神自由的两极追求。成对的对比与映衬,既是无意也是有意,构成了阿来对于社会、人性、人生追求的多角度思考。
Red poppies, written by A Lai is novel rich in fables. The author elaborate on the hero, the silly master, and all kinds of people around him which contains different cultural connotations and symbolic meanings. The stupid master, as a cultural ghost, is a participant and on - looker of history, in the meantime, he is a double narrator and artistic image. Wongboyixi, whose existing is a striking contrast -wisdom and stupidity of the stupid master, is an embodiment of part of the silly master. The comparison between two Zhuomas symbolizs the state of how women struggle to survive; The two Tana symbolized the pursuing of spiritual freedom. The con- trasts and comparisons, both adopted unconsciously and intentionally, constructs the author's pondering of society, human nature, and pursuing of life from different angles.
出处
《华北水利水电学院学报(社会科学版)》
2007年第3期75-77,共3页
Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)
关键词
人物形象
象征
对比
The character image
Symbol
Contrast