从黄侃古韵表的变化中看黄侃古音思想

On Huang Kan's Idea of Phonology Based on Ancient Rhyme Forms

黄侃先生遗著在不同的地方出现三个不完全相同的古韵表,它们的主要区别是“歌”部排列位置不同。分析“歌”部排列位置不同的原因,可看出以下一些黄侃先生的古音思想:“歌”韵是黄侃先生研究古韵的出发点和基点;阴阳入相配的系统性思想;以《广韵》为依据,以古声求古韵、以古韵求古声的思想。

There are three different rhyme forms in Mr. Huang Kan＇ s posthumous writings and the main difference of these forms is Ge＇s different arrangement.Through this difference we can see some of Mr. Huang Kan＇s phonological thoughts：＂Ge＂ is the staxting and most basle point of Huang Kan＇s phonology; the systematic thought of ancient tone＇s coordination; the idea based on GuangYun, and the idea of using initial and rhyme to ascertain each other.