摘要
爱尔兰诗人叶芝的诗作中承载"舞蹈"意象的舞者多为女性,在与同代诗人笔下的"舞者"形象进行比较时,考察叶芝对于男女两性的思考并认为其笔下的女性舞者具有独立的主体性。叶芝将"舞蹈"意象安插在爱尔兰本土的神话传说构成的背景之中,在唤醒爱尔兰人欢乐和悲哀的心理残迹之时激活深蕴着民族性的集体无意识,进行民族身份的追寻和认同。
In Yeats' Poems, in contrast to his contemporaries, the vehicle of "Dance" is mainly female. With a study of Yeats' thought on gender ,this paper arrives to a conclusion-the female dancer in Yeats' Poems is subjective ; dance among the whole nation—— "Dance" image as Primordial Image : with inserting "Dance" image into Irish local myths and legends background ,Yeats awakes Collective Unconscious of Irish which contains national trait, stimulates the joy and sorrow Psyche remains of Irish, pumues and identifies the national identity.
出处
《哈尔滨学院学报》
2007年第7期84-88,共5页
Journal of Harbin University
关键词
注视
原型
原始意象
gaze
archetype
primordial image