摘要
后现代主义是1980年代以来香港最活跃也最引人注目的戏剧实验。解构/拼贴戏剧对传统戏剧及文学文本的重新结构或诠释,和意象戏剧的反戏剧、反文本、反语言,都有其独特的艺术探索与创造,但也潜含着诸多困惑。
From 1980＇s, the post-modern theatre experiments became the most active and attractive in Hong Kong city. The deconstruction/collage drama reconstructs traditional drama and its literary text, or else, gives them some new annotation. This, with the anti-drama, anti-text, anti-language features of the imagism theatre, makes up a unique aesthetic characteristic of Hong Kong＇s post-modern theatre. Meanwhile, it brings us a great many perplex and problems underneath.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2007年第3期90-96,共7页
Journal of Capital Normal University：Social Science Edition
基金
<当代中外比较戏剧研究>基金项目
国家"十五"社科基金项目(02BZW045)
教育部"跨世纪优秀人才"基金项目
关键词
后现代
解构/拼贴
意象
现代/传统
Post-modernism
deconstmction/collage
image
modem/traditional
