从《天真之歌》及其版画探视布莱克的信仰

An exploration into Blakean'framework'through the readings of the plates in'Songs of Innocence'

18世纪的天才诗人和版画家布莱克以“诗画配”的形式出版的短诗合集《天真之歌,》将诗与画融为一体,使之成为一件独特的艺术品。我们可将其作为一个艺术整体来解读,并试从版画入手,将版画设计和诗歌原文两相对照,从中探视布莱克的信仰:天真的世界是一个受到“神”保护的与世隔绝的世界,上帝是存在于每个人体内的潜在的神性,童稚是进入“神的境界”的前提。

It is my as an artistic whole, the contention that the best approach to Blake＇s ＇songs of innocence＇ is to view it reading of the poems bound up with the reading of the plates, and the most useful readings of the plates occur where both text and design are taken into account. A closer look at the plates through which the artist attempts to represent into Blakean＇ framework＇, in which the artist emphasizes enclosed world under the protection of a kindly guardian or God and of innocence as a spiritual state in which both adults visions may enable a deeper exploration idea of the world of Innocence being an benevolent deity, of man＇s oneness with and children may share.