摘要
20世纪80年代以降,米兰.昆德拉在中国的持续流行是一个值得探讨的文化现象,与此相伴生的是我们对其“媚俗”的误读与滥用。从词源学入手探讨“媚俗”的内涵与历史流变,以政治媚俗与艺术媚俗为中心,着重讨论其形而上意义,以便还原媚俗总是作为现代人类一种境况的真实面孔。
Since the 1980＇s,a cultural phenomenon of the sustained popularity of Milan Kundera in China is worth discussing.Meanwhile,we misunderstand and abuse the ＂kitsch＂.In this thesis,I want to discuss the connotations of the word ＂Kitsch＂ and its historical evolution from etymological aspect,and also emphasize on discussing the metaphysical meaning of Kitsch and its variation.The emphasis exists in two aspects： political Kitsch and artistic Kitsch,which aim to restore the true meaning of Kitsch.
出处
《安庆师范学院学报（社会科学版）》
2007年第3期22-25,共4页
Journal of Anqing Teachers College(Social Science Edition)
