杂志内外的“国学”研究——以1920年代北京大学《国学季刊》与东南大学《国学丛刊》为入口

“RESEARCH OF THE NATIONAL CULTURE”IN AND OUT TWO MAGAZINES

新文化运动后,所谓“国学”的语义转换,考虑“国学”的价值偏移,谈论“国学”的言路变化,以及科学话语、现代大学体制与学术范式更替在其中发生的作用,值得认真辨析。1920年代北京大学的《国学季刊》与东南大学的《国学丛刊》为我们提供了研究的入口。《国学季刊》的总体面貌,与主编胡适的倾向密不可分。《国学丛刊》则展现了东南大学学人的思路。作为一种话语实践,“国学”在现代中国经历了一个特殊的创制过程,受到了西方学术文化的影响,特别是现代化逻辑和合理化设计的塑形。

After New Culturc Movement, the developing concept of the National Culture becomes particular, and worth analyzing in regards to its shifts in valuation, discursive paradigms, and its responses to the changes in contemporary university system and academic formulations. The article takes the Journal of Sinological Studies （Guo Xue Ji Kan）（by Beijing University） and Journal of Chinese Literature （Guo Xue Cong Kan） （by Southeast University） as a point of departure, trying to enter into the historical present and display what was then happening, together with reflections upon questions such as Sorting out the National Cultural Heritage in the new thought tide, the National Culture Studies under the spectacles of scientific methods, South-North academic division as well as the cultural politics of the National Culture. As a kind of discourse practice, the National Culture in modern China has experienced a special making process. Its positioning as an academic subject, research spirit and way of education have been influenced by western academic culture, especially shaped by modernization logic and rational design.