摘要
从整体上看,任何民族的文艺理论,都永远会伴随着危机。经过努力,有可能消减危机,但不可能结束危机。原因是:从文艺理论与艺术实践的关系中看,文艺理论永远是滞后的;从特点上看,任何文艺理论都是在某种领域和某种角度对文学的思考,其结果是“顾此失彼;从发展过程看,文艺理论没有永恒的形态、原理、观念、术语;从文艺理论的自性上看,其所蕴含的主观成分,使曲解客观的艺术事实现象根本无法避免;从文艺理论的构成看,其内部研究和外部研究从来就没有平衡过。
In general, any literary theory, whichever nation it belongs to, is always accompanied with crisis. The cisis would never end, even though it can be reduced to some extent. In the aspect of relationship between literary theory and literary practice, literary theory is always legged behind practice; From the character of theory, any literary theory is derived from the thinking which is limited to certain fields and certain angle; From the development process ,there is no eternal form, principle, concept and terminology; From the qualities of literary theory ,it includes some subjective factors which can distort art phenomena; From the constitution of literary theory, internal study can hardly achieve a balance with external study.
出处
《云梦学刊》
2007年第1期97-100,共4页
Journal of Yunmeng
关键词
文艺理论
危机
无间断性
literary theory
crisis
continuity