摘要
元杂剧以鲜明的平民意识成为元一代文学的代表。元代戏剧美学则以其平民主义倾向成为中国戏剧美学史上的第一个高潮。从元杂剧作家、观众和作品内容三方面可以探析元杂剧的平民意识与元代戏剧美学平民主义倾向之间的源流关系。
Yuan-Dynasty poetic dramas become the representative of the literature of Yuan Dynasty with its distinct common people consciousness. The aesthetic of Yuan-Dynasty poetic dramas become the first climax in aesthetic history of Chinese drama with its tendency of common people doctrines in Yuan Dynasty. This text analyses the relationship of source and course between the common people consciousness of Yuan-Dynasty poetic dramas and the tendency of common people doctrines of the aesthetics of Yuan- Dynasty poetic dramas from three respects: the writer, audience and works content of Yuan-Dynasty poetic dramas.
出处
《苏州教育学院学报》
2007年第2期51-53,共3页
Journal of Suzhou College of Education
关键词
元杂剧
元代戏剧美学
平民意识
平民主义倾向
Yuan-Dynasty consciousness
the tendency poetic dramas
the aesthetics of Yuan-Dynasty poetic dramas
common people of common people doctrine