台湾后现代女性诗歌综论

On Postmodern Feminine Poetry in Taiwan

后现代主义作为一种当代世界性文化美学思潮出现在80年代的台湾涛坛,有其特定的理论基础与社会背景。在涛思方面,台湾后现代女性涛歌的本质特征是"消中心"和"反理性";在涛艺方面,台湾后现代女性诗歌主要采取了边界消失与即兴演出、后设语言与意符游戏、博议拼帖与谐拟手法、形式实验与"零度写作"等多种艺术策略。台湾后现代女性涛歌独特的涛学品格更在于其将后现代主义与女性主义有机融合,对男性权力、秩序和统治进行瓦解性与破坏性书写,重视日常化生活形态的表达。因此,在台湾当代涛歌史上,后现代女性诗歌具有重要的价值和意义。

As a contemporary trend of thought in culture and aethetics, postmodernism came into being in 1980s in poetic world of Taiwan with its specific theoretical basis and social background. In terms of the subject of the poems, its main teaits are ＂vague theme＂and＂anti-ratond＂; in artistic techniques, it employs the skills of ambiguity of forms, improvisation, definations of words, separation of denotation and connotation of words, jigsawing words and sentences into one poem, ironic adaptation of classics, experiment of forms and writing in an indifferent way. The peculiarity of postmodern feminine poetry lies in the integration of postmodernism and feminism, disintegration of man＇s power, order and rule and use of everyday expressions. Thus, postmodern feminine poetry is of great value and significance in the history of contemoorary in Taiwan.