摘要
《史记》既非舞台戏剧,也不是戏剧剧本,但读之却常常有一种恍如看戏般的感觉。作者很喜欢在集中而尖锐的矛盾冲突中展开他的故事;营造极富戏剧性的情景,从中刻画人物,塑造人物形象;而且,人物的语言也极富戏剧性,对于司马迁的这种独特的创作手法,我们称之为“戏剧性笔法”。《史记》的成功及司马迁的文学成就有相当一部分应该归功于这种“戏剧性笔法”的使用。
ShiJi is neither stage drama nor drama screen play, but it often makes the readers having a feeling of watching drama. The author liked to extend his story in centered and pointed contradiction collision, producing a very dramatic situation, from which he depicted the characters moulded characteris image; further more ,the characters' language are also very dramatic, we regard Simaqian's this unique writing method as "dramatic creation writing style". ShiJi's success should be attributed to the application of this "dramatic creative means ".
作者
李晓风
LI Xiao- feng (Zhengzhou Normal College, Zhengzhou, Henan 450044, China)
出处
《平原大学学报》
2007年第3期60-63,共4页
Journal of Pingyuan University
关键词
戏剧性
矛盾冲突
场景
dramatics
story
contradiction collision