摘要
《乐记》奠定了中国音乐美学的基石，其系统的音乐美学思想，对后世有深远的历史影响。本文试图对其中的“声”、“音”、“乐”三个概念进行思辨，尤其对“乐”的审美特征进行深入的探讨，并结合前人的研究对《乐记》中的音乐美学思想给以客观评价。
Yue Ji establishes footstone of Chinese music esthetics,its systemic music esthetics＇ ideology has made far-reaching historical effect in allusion to aftertime, the essay tries to put up to think about＂ sound＂, ＂voice＂,＂ music ＂ in three concepts of Yue Ji ,especially aims at music aesthetic attribute to carry through embedded discussion and combines with the research of former man, administer to impersonal evaluation on. music esthetics＇ ideology of Yue Ji.
作者
杨婷
YANG Ting （Music Department, Guangxi Arts Institute, Nanning, Guangxi 530022,China）
出处
《平原大学学报》
2007年第3期74-76,共3页
Journal of Pingyuan University
关键词
乐记
乐
美学思想
Yue Ji （Music Notes , an ancient Chinese music book）
music
esthetics＇ ideology
